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Eley Williams's The Liar's Dictionary |
A disaffected Victorian lexicographer toils away at the letter S for Swansby's multivolume Encyclopaedic Dictionary, inserting unauthorized fictitious entries into the dictionary in an attempt to assert some sense of individual purpose and artistic freedom. In the present, a young intern employed by the publisher must uncover these mountweazels before the work is digitized. She also contends with threatening phone calls from an anonymous caller. Is the change in the definition of marriage really that upsetting? And does the caller really intend for the Swansby's staff to 'burn in hell'?
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