Click here to read reviewer Myra Junyk's take on The Winter Vault.
The Winter Vault is a complex, passionate novel about loneliness, destruction, replication, personal loss, and memories of oneís roots, and it requires high levels of patience and concentration if one is to absorb everything that Anne Michaels is trying to say. It is neither a plot-driven nor a character-driven novel; in fact, those are its weakest elements. Rather, it is a philosophical novel filled with rambling monologues, lessons, and meditations that often have little to do with plot. Further, the bookís main characters, although they can be memorable, often have more the feel of actors being brought on stage simply to make an authorís points than the feel of real, breathing people.
It is 1964, and Avery Escher is in Egypt to save Abu Simbelís Great Temple from the floodwaters soon to be released by the new Aswan Dam. He will oversee the dismantling of the centuries-old Temple so that it can be reconstructed some sixty feet higher in a cliff where it will be safe from the flooding. His wife, Jean, who witnessed a similar event in Canada when ten villages were sacrificed to the waters of the new St. Lawrence Seaway, is in Egypt with Avery, whom she met when he worked the Seaway project.
Jean is saddened by what she sees in Egypt: the displacement of the Nubian people whose government is happy enough to sacrifice them for the greater good of the country. As trainload after trainload of these people are relocated and their ancestral villages are destroyed and flooded, Jean realizes that she and Avery are part of something destructive rather than something positive. When a personal tragedy forces her to return to Canada, she finds that her feelings about her life and marriage have changed and she decides to live alone.
The second half of the book sees Avery largely fading into the background while Jean tries to put her life back together with the help of her new friend, Lucjan, a Polish immigrant who as a boy survived the World War II destruction of Warsaw. In Jean, Lucjan has finally found a woman with whom he can share his detailed memories of those days, including how disoriented he was when he first walked the streets of the uncannily accurate replication of the old city completed after the war.
The two halves of The Winter Vault share a common theme, but their plots and characters are so different that they read like two novels under one cover. Anne Michaels has published several poetry collections, and the prose of The Winter Vault, only her second novel, is often as striking as her poetry. Unfortunately, some of her extended passages continue to be vague and distracting no matter how much attention and time a reader gives them. It should also be noted that the decision not to use quotation marks or chapter breaks in this 336-page novel may tempt some readers to abandon it well short of its final page. Those who persevere will, however, have much to think about when they finish.